Kiwi Aerial Shots

DRONE AND CAMERA GEAR

Professional Aerial cinematography equipment

Arri Alexa Mini and RED capable drones

High-end drone equipment for film and video productions

At Kiwi we always try to innovate whenever possible. We’ve built most of our drones in-house as we think knowing our equipment is key when flying a professional grade camera setup with Alexa mini or RED camera’s. As innovation is our passion we where lucky enough to serve our clients with a great range of self-built drones and camera rigs.

On this page, you can read all about the Kiwi drones, cameras and custom options to match your production.

Certified drones

Multiple drones for all kinds of productions

KIWI X8

– Suited for RED and the ARRI Alexa Mini
– Cinema lenses & follow focus
– 10KG payload
– 100kmpu and 18 min airtime
– Storm drone (Force 7/8)

DJI Matrice 600

– Suited for RED and the ARRI Alexa Mini
– Cinema lenses & follow focus
– 6KG payload
– 70kmpu and 16 min airtime
– Gremsy H16 gimball

DJI INSPIRE 2

– Suitable for DJI X5s and X7
– Lenses from 15mm to 90mm
– Prores4444 & Cinema DNG (60fps max)
– H264/H265 proxy 100mbit/s (120fps max)
– Stormdrone 100km/h (7-8 beaufort)

DRONE LIGHTING SYSTEM

– 1800W LED LIGHT
– More than 163.000 Lumen
– 97 CRI
– 80 km/h
– 12 min airtime per set

KIWI DRONE X8

– Suitable for RED and ARRI Alexa Mini
– Suitable for Cinema lenses
– 8KG payload
– 100kmph and 15 min airtime
– Storm drone (beasufort 7/8)

CUSTOM (COFFEE) DRONE

We work on a daily base on custom drones for high-end cinema shoots or creative request like our fully operating coffee drone for a big TVC for the Dutch Army. If it doesn’t exist, we’ll build it!

Drone cameras and Lenses

Cinema cameras, prime lenses and the DJI setup

Because every production is different we offer a wide range of drones to fit all aerial requests. We have drones capable of flying a ARRI or RED camera as well as the Inspire 2 drone with the X5s or X7 camera’s. For the x5S and X7 camera’s we offer all available lenses in the package. Depending on the setup when flying a cinema camera we can lift around 3-4kg of lens weight. The total camera package has a maximum of 8kg. This is without the gimbal. For stabelizing the camera we use the Movi pro or Gremsy H16. The gimbal weight is between 2.5 and 3 kg.

RED CAMERA

– 4.5 -8K Resolution
– 120fps
– Cinema lenses
– 2k 240fps
– REDRAW codec
– 16.5 – 17.2 dynamic range

DJI ZENMUSE X7

– Resolution up to 6K
– Dynamic range of 14 stops
– Lenses 15mm t/m 90mm
– Prores 4444
– Cinema DNG
– Super 35 sensor

ARRI ALEXA MINI

– 4K UHD
– Up to 200 fps
– 14.0+ stops dynamic range
– ArriRAW / Proress
– Cinema lenses
– 35mm Sensor

DJI X5s CAMERA

– 5.2K in 60fps or 4K in 30fps
– Dynamic range of 12.8 stops
– Lenzen 15mm t/m 90mm
– Prores 4444
– Cinema DNG
– M4/3

Insta 360 Pro 2

– 8K in 360 degrees
– Both video as photos
– 6 lenses
– Stereoscopic & Monoscopic
– Farsight monitor

On request

– Our bigger drones like the X8 and Matrice600 offer a wide variety of camera options. We would love to hear which camera you need for your Aerial production so we can tell you our related options.

Other Kiwi GEAR

GIMBAL, LED lighting system, Cineflex Elite, CAR-2-CAR setup

Next to the certified drones and cameras above Kiwi Aerial Shots also offers other services and product we would like to mention. Such as our helicopter cineflex services, our Steady-cam option and our self-developed LED lighting system that offers lots of unique possibilities as it is lightweight and relatively small.

Gremsy H16 Gimball

– Advanced stabilization
– Payload up to 7.25 KRG
– Suitable for RED and Alexa cameras
– Suitable for cinema Lenses
– 3-Axis Camera Stabilizer

KIWI LED LIGHT

We developed a truly unique high performance 1800W LED system to deploy underneath our drone. Read everything about it on our LED lighting page.

DoP MONITOR

We can always bring a wireless monitor for the director or DoP. This way he or she can have a live view of the drone footage we make.

CINEFLEX ELITE

At Kiwi Aerial Shots we also provide in helicopter aerial shots. We do this with a Cineflex system or GSS or a gimbal setup to film from the side. Check our helicopter service page for more info.

Custom build rigs

This custom build helicopter rig contains 3 RED Monstro cameras for a 22K resolution in a 310-degrees angle.

CAR-2-CAR RIG

Our self-developed car rig gives us the possibility to make shots at 90km/h on the highway with lenses up to 200mm.

Check our custom build projects

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